Showing posts with label The Rover Cannes Press Junket. Show all posts

New/Old Rob Interview with Yahoo Singapore from Cannes


It’s late afternoon in Cannes, and heartthrob, Robert Pattinson, 28, appears to be having a good time at the world’s most glamorous film festival promoting the Rover, starring alongside Guy Pearce, 46. He will also star opposite Julianne Moore, 53, in Maps to the Stars, both slated for release this summer.

His hair is short, he has a little facial stubble and he’s wearing a turquoise jacket, black shirt and dark jeans and sneakers.
Pattinson is of course best known for his role as Edward, a vampire who falls in love with a human, Bella, played by on again off again girlfriend, Kristen Stewart, 24, in The Twilight Saga.

Since then, Pattinson has taken on more serious roles such as Remember Me (2010) and Water for Elephants (2011) in which he starred alongside Reese Witherspoon.

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Rob's Interview with The Sunday Times

The best thing about Robert Pattinson is how weird he is. If he weren’t acting, he’d be the one in the office grinning with half a mouth and going out of his way to avoid the water cooler. He’s friendly, but weird — with a laugh like Butt-head if he’d gone to a nice independent school in Barnes. We met in May at the Cannes film festival, once he’d finished his cigarette under a sky barely holding its rain. To call his clothes “grunge” would be a disservice to the thought that goes into grunge. It’s just messy: lumberjack shirt, T-shirt, trainers, white jeans. “I’m so hung-over,” he moans, as I turn the tape on. “I feel absolutely disgusting.”

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Rob Interview With The Vent

Filming The Rover in a remote part of south Australia with cast and crew all staying in a local pub was just about perfect, says Robert Pattinson. The filmmakers all mucked in together, braved filming in soaring temperatures, and at night bonded over a drink or two. Pattinson wouldn’t have had it any other way and says that it helped director David Michôd and his cast and crew build an unbreakable bond.

“It was amazing,” he says. “Because the whole crew was staying in the same place and there was nothing else to do, we were living in a pub. It’s annoying if you’re in an unfamiliar city and all the people you work with are from that city, they all go home, so you’re just stuck in your hotel.

“When you can hang out with a bunch of new people, you get close to them really quickly, especially when there’s literally nothing else to do. It’s really fun. I hadn’t done that for a long time. I had a fantastic experience making this film.”


Pattinson was born and raised in London and started his professional career as a 16 year old in the TV film Ring of the Nibelungs. A year later, he played Cedric DIggory in Harry Potter and the Goblet of Fire. He starred in five, hugely successful Twilight films and his other film credits include Bel Ami and Cosmopolis.

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More of Rob's Interview with RTL Radio from The Rover Cannes Press Junket



It's Robert Pattinson who is playing amazing this low mind

Rob: He's always been treated as someone who has a low mind by all the people surronding him so he never had to take any kind of responsability. it's the same thing when he kills people. For him it's not real. He doesn't understand what's happening and it's like a game. No one is nice towards him so since no one takes care of him , he doesn't care about anything. The importance of killing someone doesn't matter

Source | Translation | Via

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New Rob Interview with L'Hebd'Hollywood (France) + Translation

Rob's interview at 10:00

Translation

Didier: Watching the film I remembered something I had read somewhere saying the apocalypse is when human beings are losing their humanity. Do you think the film is speaking about that?

Rob: Yeah I mean. I guess it's also ... I was thinking a little bit about hope. People have lost the sense of hope with each character and I think it's where they are living, if the world is devastated just like that. Either it's economically speaking or extracted inside the world. There's nowhere to go for people. We're watching them and we're wondering how we can live without hope. Is there a reason to live? And I don't know if the film is telling about that but it's rather flexible how you can interpret it

Didier: I like what you are doing with your career after Twilight. I know you love cinema, we already talked about that. When you choose a project like this one or a Cronenberg, is it a way to put your love for the cinema in your work?
 
Rob: Yeah I mean, basically after Cosmopolis I realized that if you only work with great directors, you'll be never disappointed. No matter what the result is, it's always an amazing experience.

 Translation | Via

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