New: Rob Pattinson's Interview With RBB-Online


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I´m exactly where I wanted to be.

Even after two Cronenberg-movies many still doubt the acting skills of Twilight-star Robert Pattinson. On Monday he presents his latest movie “Life” at Berlinale – together with director Anton Corbijn. In this interview the former vampire-star explains how he connected with the movie and why he feels his career is in a good place.

Q: Mr. Pattinson, is James Dean still an icon to your generation?
RP: Definitely. Especially when I was young. I knew James Dean before I even knew I wanted to act. I had read many of his interviews. He was style-defining and has an influence on every actor, simply through his physicality. Anyone who´s leaning forward, trying to look cool, is copying James Dean, really (laughs)

Q: You playing a photographer has a certain irony since in real life you often clashed with photographers who sometimes made your life hell. What was it like, playing a photographer?
RP: They´re still doing it. But to be honest, I had a very preconceived notion of photographers. Just like Anton Corbijn. Our ideas couldn´t have been more different. For Anton, the whole movie is about the nature of the photographer. I didn´t see Dennis Stock as a photographer, but someone, who under all circumstances wanted to be an artist. He saw an artist in James Dean just like he saw himself as an artist. To me the movie is about those petty jealousies: why is Dean perceived an artist and not me. That´s what I liked about it.

Q: As an actor, you offer up a lot of yourself and at the same time hand over responsibility to the director. How do you handle the fact that you can influence the final product only indirectly?
RP: It´s always a bit of a gamble, but also a matter of trust. I had talked to Anton Corbijn for an hour a year before we started shooting. I had only skimmed the script half an hour before our meeting, I wanted to impress him. He could have told me anything. Just when we started shooting I got a feel for the story.

Q: What did you like about the movie?
RP: The movie has a strange tone, it´s about so many universal things, but also very personal. For instance, it focuses on the situation where as an artist, your standing in your own way, blocking yourself and do not exploit your full potential. That´s something I can relate to.

Q: Do you stand in your own way often?
RP: Many actors often get the feeling that they´re just faking things and are afraid that some day someone realizes that they can´t act at all. That fear keeps me from many things that I actually want to do. And Dennis Stock, too, instead of believing in himself, comes up with one excuse after another as to why he´s not the right guy for the job. I could identify with that.

Q:Where do you get your self-confidence as an actor?
RP: I stopped thinking about it and just do it. Often I worry afterwards but since it´s to late then, it doesn´t really matter. And I always remind myself that I actually really enjoy what I´m doing.

Q: It´s been ten years since you started your career. Time for a resumee. How satisfied are you with your career?
RP: In fact I´m exactly where I wanted to be. After Twilight I knew it would take a while to get to the next level but I´m gradually getting there. Of course I´m always trying to get better as an actor, but so much depends on the stuff you get offered. Acting is of course the outline, but every director offers you different possibilities.

Q: What was it like for you when the Twilight Saga ended?
RP: I had no idea what to do with myself and then came the offer for Cosmopolis, right out of nothing, three weeks before we finished shooting Twilight. It changed everything. All of a sudden the movies I like are within reach for me as an actor
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NEW Fan Picture of Rob Pattinson in Berlin - 2 •8•15

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Robert Pattinson Joins Guy Pearce and Mia Wasikowska in Martin Koolhoven's thriller 'Brimstone'

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NEW Fan Pictures and Video of Rob at the Budapest Airport - 2•8•15

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Julianne Moore mentions Kristen Stewart at the Bafta, Graham Norton Show & on Popcorn with Peter Travers


Her Bafta acceptance speech tonight
(0:50)


In the Bafta press room
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On the Bafta red carpet
(0:31)


On Popcorn with Peter Travers
(3:54)


On the Graham Norton Show
(7:49)



Congrats to Julianne and Kristen's pal Eddie Redmayne for their well-deserved wins tonight!! ♥


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Reviews for 'Queen of the Desert'

'Queen of the Desert' had it's first official screening at Berlinale and these are some of the reactions to Robert's performance in the film.
Please keep in mind that reviews can contain spoilers.

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Reviews

Variety

(...)

"At the next stop on her travels, she encounters a young T.E. Lawrence (a consternated-looking Robert Pattinson, who, like Franco, elicited laughs in Berlin when he first appeared onscreen). Though she clearly makes a strong impression on every man she meets, he surprises her by asking, “Gertie, will you please not marry me?”"

The Hollywood Reporter

"The brief but significant appearances of Robert Pattinson as T.E. Lawrence aside..."

(...)

"Among the more entertaining interludes is her time spent at an archeological dig with Lawrence. And while Pattinson in Arab headgear takes some getting used to (and drew laughs at the Berlin press screening), the easy camaraderie in his scenes with Kidman is appealing. "

The Playlist

"In fact, of the actors not overwhelmed by the heavy sense that "we're playing old-timey dudes in old-timey duds," Robert Pattinson (though the duds do sit awkwardly on him), for words about whom, I'll face the fact that probably 75% of the readers of this review will have expressly tuned in, is most surprising. The part is small. He only has a few scenes, but helped by the writing of TE Lawrence as an ego-driven but lighthearted, whimsical brainbox, he actually sounds like he believes he is living in modern times, not some anachronistic recreation. And so even when he has ponderous words to say, such as when he quotes Jefferson's famous, damning line, "I tremble for my country when I reflect that God is just," he does so lightly, conversationally — unconvincing costume aside, he lets a little life in."

The Independent

"T.E. Lawrence himself appears (played in eccentric, tongue in cheek fashion by Robert Pattinson of Twilight fame)."

(...)

"Pattinson’s performance, meanwhile, is comic and a very long way removed from Peter O'Toole. He plays Lawrence Of Arabia as a sharp-tongued, sardonic figure who can see through the pretensions of his bosses and colleagues."

The Peoples Movie

"With the exception of Robert Pattinson as T. E. Lawrence, her male counterparts are somewhat lacking."

The Guardian

(...)

"There she is to encounter Lawrence himself, played boyishly by Robert Pattinson. He looks a little self-conscious in the headdress – though perhaps no more self-conscious than Lawrence himself looked in it. His appearance got a few laughs from the Berlin festival audience, but Pattinson carried off this (minor) role well enough."

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NEW Photo of Kristen Stewart by Karl Lagerfeld .. CR Fashion Book's Issue #6

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"Kristen Stewart, photographed by Karl Lagerfeld for CR6." on November 18, 2014 in Paris. :)

+ Carine Roitfeld, Editor-in-Chief, talks about Kristen:

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Q: Is she? [in the issue]

Carine: Yes, because I met her with Karl. And she is very special, too, she is not a perfect beauty. If she does not know you, sometimes she is very insecure. It is strange, but sometimes you are very beautiful and very insecure. Karl took a beautiful picture of her. She is very perfection in the photo. I made her look a bit like Patti Smith for the photo, and she was like, “I am just on the line with Patti Smith.” I said, “Oh, ask her what she thinks of the photo,” and she said that Patti liked it. I thought if Patti likes it, we can do it. I didn’t realize they were friends, because Patti Smith is always a big reference in fashion. Kristen is a funny girl, but you have to know her. She is quite shy at the beginning, you know.


"Coming to newsstands near you in March."
You'll be able to buy this issue HERE, when it will come out.

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ROBSTEN: The 10 Sexiest Movie Moments of Couples Who Met on Set

The 10 Sexiest Movie Moments of Couples Who Met on Set


Valentine’s Day isn’t about the mushy-gushy cards, flowers and chocolate. (You can thank Hallmark & the like for making it seem like that.) No, no, it’s actually about a little thing called love. That’s right, good ol’-fashioned L-O-V-E. And you know what pairs up perfectly with love? Affection. So, in celebration of the upcoming romantic holiday, we’re looking at the most… affectionate movie scenes between couples who met on set.

While one may think that Valentine’s Day should count, considering Taylor Swift & Taylor Lautner (a.k.a. Taylor-Squared) got together during/after filming, and the fact that the flick is named after the special occasion, but do you remember their kiss scenes? Not exactly the type we’re going for. Here, let us show you what we mean. Take a look at the ten SEXIEST film moments of real-life loves, past and present:

1. Kristen Stewart & Robert Pattinson, Twilight — Robsten may be no longer, but the sparks between Bella and Edward will live on. Forever. It all started with a kiss. A steamy, forbidden kiss:




If you want to see who the other 9 couples are :)

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NEW Fan Pic of Kristen Stewart 2 • 5 • 15

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"Look who I met today! #bella #KristenStewart #twilight"

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Rob and The Rover Nominated at Film Critics Circle Awards of Australia

Rob and The Rover cast and crew scored 5 nominations at FCCAAwards!

The FCCAAwards will be held March 10th at Paddington Woollahra RSL, you can find more information here.

Congrats Rob and The Rover Team!

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BEST PRODUCTION DESIGN

Jo Ford - The Rover
Alex Holmes - The Babadook
Chris Kennedy - The Water Diviner
Matthew Putland - Predestination

BEST MUSIC SCORE

David Hirschfelder - Healing
David Hirschfelder - The Water Diviner
Antony Partos - The Rover
Peter Spierig - Predestination

BEST ACTOR IN A SUPPORTING ROLE

Jai Courtney - Felony
Adam Driver - Tracks
Yilmaz Erdodan - Water Diviner
Robert Pattinson - The Rover
Tom Wilkinson - Felony

BEST ACTRESS IN A SUPPORTING ROLE
Justine Clarke - Healing
Melissa George - Felony
Erin James - The Little Death
Jacqueline McKenzie - The Water Diviner
Susan Prior - The Rover

BEST ACTOR
Russel Crowe - the Water Diviner
Joel Edgerton - Felony
David Gulpilil - Charlie's Country
Don Hany - Healing
Guy Pearce - The Rover
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NEW - Kristen on the cover of Wonderland Magazine's Spring Fashion issue

"The Spring Fashion Issue of Wonderland drops on shelves next week – take a look at our cover girl Kristen Stewart shot by Hedi Slimane.

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close-up just because.. ♥

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New Life Still From The Hollywood Reporter


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Cropped Still
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NEW Pic of Kristen Stewart &Taylor Lautner with Sam Smith in L.A.. Last Night 1•30•15

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Kristen with Taylor and friends at Sam Smith's concert last night 1•30•15 in Los Angeles. :)
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Kristen Stewart & Julianne Moore's USA Today Portraits


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Photographed by Dan MacMedan & interviewed by Andrea Mandell, on December 7 at the Los Angeles 'Still Alice' press junket

USA Today: LOS ANGELES — Good luck keeping it together during a scene in Still Alicein which Julianne Moore, playing a woman diagnosed with early-onset Alzheimer's, delivers a wrenching speech on the art of losing.

"I find myself learning the art of losing every day," her character begins, invoking poet Elizabeth Bishop and speaking to an audience of patients and doctors. "Losing my bearings, losing objects, losing sleep, but mostly, losing memories. … Who can take us seriously when we are so far from who we once were?"

Moore first shot that scene for the film (opening wider on Friday) alone in a large soundstage, with just a curtain separating her from the crew. "There was a big stage behind me and there was a curtain. And we did I don't know how many takes and they came out and they were all crying." She laughs. "I was so happy."

Written and directed by Richard Glatzer and Wash Westmoreland, the married filmmakers crafted Still Alice in their own image: Glatzer was diagnosed with ALS in the past year. Instead of retiring, they chose Alice.

"Here was this couple who had been together for 18 years and making a beautiful movie about what it means to be alive," says Moore. "They're working with people they want to work with. It's a really beautiful thing. It does help you put everything in the right spot."

Still Alice premiered at the Toronto Film Festival in September and was immediately snapped up by distributors, who set the film on a fast track for release and into the Oscars race. It's a breathless pace for a film shot last March over just 23 days.

"I was doing Mockingjay, so Lionsgate very nicely gave me the month off to do the movie," says Moore, 54. "It was just an in-and-out kind of thing. It was fast."

Fast, and emotional. Still Alice, based on the novel by Lisa Genova, chronicles the story of Alice Howland, a Columbia professor of linguistics and wife and mother of three who learns suddenly she has early-onset Alzheimer's.

It's a tale of caretakers, too. When Alice's husband, John (Alec Baldwin), ultimately bails, it's her aspiring actress daughter Lydia (Kristen Stewart) who moves from Los Angeles to New York to become her mother's primary source of comfort as she slips away.

With all she was exposed to with Still Alice, "now I get worried," says Stewart, 24. "My dad the other day couldn't think of a word, and it was something really simple, and I was like, that's weird. You should know that word!"

Moore dived into the role, visiting long-term care facilities, speaking to heads of Alzheimer's associations, researchers, patients and caretakers. She stresses that nothing Alice does on screen is made up; everything, from her movements to her speech patterns, was observed by Moore firsthand.

"I had that (cognitive) test administered by a neuropsychiatrist, which is really interesting and really extensive,'' Moore says. "You think, 'Oh this test is not going to make me anxious.' But man!: 'List 35 words, then repeat the words.' And then they'll give you another list. 'Now repeat the first list.' "

Stewart compares her co-star to "a surgeon, literally. I aspire to that," says Stewart. "I want to be able to be in control and lose myself at the same time. She's so smart."

Moore, who picked up a best-actress Golden Globe on Sunday, is widely expected to earn her fifth Oscar nomination on Thursday.

"I think many people would be surprised to hear that she's never won," says Fandango.com's Oscarologist Dave Karger, though she has received nods for Boogie Nights, The End of the Affair, Far From Heavenand The Hours. "But that should change next month since she is the clear front-runner to win best actress this year."

Glamorous red carpets and gold statues aside, for Moore and Stewart, Still Alice remains a constant reminder.

"I texted my mom on the way over here," says Stewart. "I literally just said, 'Um, incoming, package of love in the form of a text message, completely random but I love you, dude.' " Mom's reply? " 'Wow. That was really well-timed.'"

Moore nods. "I came home thinking, my God, what a lucky woman I am, what a great husband I have, what beautiful children I have. I value them, I cherish them. That's all this movie is about."

• USA Today: LOS ANGELES — Sit down with them, and you'll immediately notice that Julianne Moore and Kristen Stewart are ridiculously tight.

Start with the fact that "we're about the same size," estimate Moore. They've both starred in the two biggest teen franchises of our time (Stewart in Twilight and Moore in The Hunger Games).

But the bond that glues the mother-daughter pair from Still Alice started more than a decade ago.

At age 14, Stewart starred in 2004's Catch That Kid(about three kids who rob a bank) directed by Bart Freundlich, Moore's husband. "I remember when he first cast her he said, 'this girl is extraordinary,' " says Moore, 54.

Fast-forward 10 years. "Honestly, I've been dying to work with her since I've been an actor," says Stewart, now curling up next to Moore on a couch. "Even if she was a total (jerk), I really would still want to work with her," she emphasizes, as Moore laughs. "We just never stopped talking."

In Still Alice (opening wider on Friday), Moore plays Alice Howland, an accomplished professor of linguistics whose memory begins to ebb after a diagnosis of early-onset Alzheimer's. Stewart appears as her daughter Lydia, an aspiring actress who rises above her more traditionally successful siblings to become her mother's chief caretaker.

Stewart has been branching out into art-house films since graduating from Twilight. She recalls a moving experience years ago with a woman who was in a severe state of dementia. "If I walked out of the room for five minutes and came back she wouldn't remember I was there," says the actress. "But I saw her revel in the moments that we shared. And I saw the recognition that she was going to lose those moments momentarily."

Moore emphasizes that the lasting message of Still Alice is that the person struggling with the disease "is still there. And that's what's most important. There's this notion that somehow a personality or a person is obliterated by this disease, but the person is there … that's why it's called Still Alice."

Moore's deft handling of Alzheimer's acute and subtle effects have left a trail of critical cheers in the film's wake. She's "as close to a sure-bet shoo-in as you can get at the Oscars," says GoldDerby.com awards site founder Tom O'Neil, who says no one rivals her in the odds to win. "She's beloved by the Academy, and ridiculously overdue to win."

And guess who has signed on to be Moore's one-woman promotional machine?

"All I want to be is: 'Yeah, Julianne Moore! She did that! Let me tell you how good she is'" says Stewart, jumping off the couch and miming walking the streets with a megaphone. "I'm not even working. I just finished everything. I am totally game."

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