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Kristen Stewart & Julianne Moore's USA Today Portraits


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Photographed by Dan MacMedan & interviewed by Andrea Mandell, on December 7 at the Los Angeles 'Still Alice' press junket

• USA Today: LOS ANGELES — Good luck keeping it together during a scene in Still Alicein which Julianne Moore, playing a woman diagnosed with early-onset Alzheimer's, delivers a wrenching speech on the art of losing.

"I find myself learning the art of losing every day," her character begins, invoking poet Elizabeth Bishop and speaking to an audience of patients and doctors. "Losing my bearings, losing objects, losing sleep, but mostly, losing memories. … Who can take us seriously when we are so far from who we once were?"

Moore first shot that scene for the film (opening wider on Friday) alone in a large soundstage, with just a curtain separating her from the crew. "There was a big stage behind me and there was a curtain. And we did I don't know how many takes and they came out and they were all crying." She laughs. "I was so happy."

Written and directed by Richard Glatzer and Wash Westmoreland, the married filmmakers crafted Still Alice in their own image: Glatzer was diagnosed with ALS in the past year. Instead of retiring, they chose Alice.

"Here was this couple who had been together for 18 years and making a beautiful movie about what it means to be alive," says Moore. "They're working with people they want to work with. It's a really beautiful thing. It does help you put everything in the right spot."

Still Alice premiered at the Toronto Film Festival in September and was immediately snapped up by distributors, who set the film on a fast track for release and into the Oscars race. It's a breathless pace for a film shot last March over just 23 days.

"I was doing Mockingjay, so Lionsgate very nicely gave me the month off to do the movie," says Moore, 54. "It was just an in-and-out kind of thing. It was fast."

Fast, and emotional. Still Alice, based on the novel by Lisa Genova, chronicles the story of Alice Howland, a Columbia professor of linguistics and wife and mother of three who learns suddenly she has early-onset Alzheimer's.

It's a tale of caretakers, too. When Alice's husband, John (Alec Baldwin), ultimately bails, it's her aspiring actress daughter Lydia (Kristen Stewart) who moves from Los Angeles to New York to become her mother's primary source of comfort as she slips away.

With all she was exposed to with Still Alice, "now I get worried," says Stewart, 24. "My dad the other day couldn't think of a word, and it was something really simple, and I was like, that's weird. You should know that word!"

Moore dived into the role, visiting long-term care facilities, speaking to heads of Alzheimer's associations, researchers, patients and caretakers. She stresses that nothing Alice does on screen is made up; everything, from her movements to her speech patterns, was observed by Moore firsthand.

"I had that (cognitive) test administered by a neuropsychiatrist, which is really interesting and really extensive,'' Moore says. "You think, 'Oh this test is not going to make me anxious.' But man!: 'List 35 words, then repeat the words.' And then they'll give you another list. 'Now repeat the first list.' "

Stewart compares her co-star to "a surgeon, literally. I aspire to that," says Stewart. "I want to be able to be in control and lose myself at the same time. She's so smart."

Moore, who picked up a best-actress Golden Globe on Sunday, is widely expected to earn her fifth Oscar nomination on Thursday.

"I think many people would be surprised to hear that she's never won," says Fandango.com's Oscarologist Dave Karger, though she has received nods for Boogie Nights, The End of the Affair, Far From Heavenand The Hours. "But that should change next month since she is the clear front-runner to win best actress this year."

Glamorous red carpets and gold statues aside, for Moore and Stewart, Still Alice remains a constant reminder.

"I texted my mom on the way over here," says Stewart. "I literally just said, 'Um, incoming, package of love in the form of a text message, completely random but I love you, dude.' " Mom's reply? " 'Wow. That was really well-timed.'"

Moore nods. "I came home thinking, my God, what a lucky woman I am, what a great husband I have, what beautiful children I have. I value them, I cherish them. That's all this movie is about."

• USA Today: LOS ANGELES — Sit down with them, and you'll immediately notice that Julianne Moore and Kristen Stewart are ridiculously tight.

Start with the fact that "we're about the same size," estimate Moore. They've both starred in the two biggest teen franchises of our time (Stewart in Twilight and Moore in The Hunger Games).

But the bond that glues the mother-daughter pair from Still Alice started more than a decade ago.

At age 14, Stewart starred in 2004's Catch That Kid(about three kids who rob a bank) directed by Bart Freundlich, Moore's husband. "I remember when he first cast her he said, 'this girl is extraordinary,' " says Moore, 54.

Fast-forward 10 years. "Honestly, I've been dying to work with her since I've been an actor," says Stewart, now curling up next to Moore on a couch. "Even if she was a total (jerk), I really would still want to work with her," she emphasizes, as Moore laughs. "We just never stopped talking."

In Still Alice (opening wider on Friday), Moore plays Alice Howland, an accomplished professor of linguistics whose memory begins to ebb after a diagnosis of early-onset Alzheimer's. Stewart appears as her daughter Lydia, an aspiring actress who rises above her more traditionally successful siblings to become her mother's chief caretaker.

Stewart has been branching out into art-house films since graduating from Twilight. She recalls a moving experience years ago with a woman who was in a severe state of dementia. "If I walked out of the room for five minutes and came back she wouldn't remember I was there," says the actress. "But I saw her revel in the moments that we shared. And I saw the recognition that she was going to lose those moments momentarily."

Moore emphasizes that the lasting message of Still Alice is that the person struggling with the disease "is still there. And that's what's most important. There's this notion that somehow a personality or a person is obliterated by this disease, but the person is there … that's why it's called Still Alice."

Moore's deft handling of Alzheimer's acute and subtle effects have left a trail of critical cheers in the film's wake. She's "as close to a sure-bet shoo-in as you can get at the Oscars," says GoldDerby.com awards site founder Tom O'Neil, who says no one rivals her in the odds to win. "She's beloved by the Academy, and ridiculously overdue to win."

And guess who has signed on to be Moore's one-woman promotional machine?

"All I want to be is: 'Yeah, Julianne Moore! She did that! Let me tell you how good she is'" says Stewart, jumping off the couch and miming walking the streets with a megaphone. "I'm not even working. I just finished everything. I am totally game."

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More from Rob's Interview with USA Today

On Nov. 18, he'll reprise his role as vampire/new father Edward Cullen opposite Kristen Stewart in The Twilight Saga: Breaking Dawn— Part 2, the final installment in Stephenie Meyer's behemoth series.

But before that, he'll appear in a surreal role as a Wall Street banker in David Cronenberg's Cosmopolis (due in August), which earned a standing ovation for its premiere at the Cannes Film Festival.

"I used to think it was a good thing to have a safety net," says Pattinson, 26, of his starmaking Twilight role. "To know you're always safe is not real. It's got to matter."

So after Breaking Dawn, Pattinson will launch into a busy slate of projects that are starting to take shape.

"I have five things going — actually six," he says. "I'm pretty sure I know which one is going to be first."

That would be Mission: Blacklist (2013), based on the true story of the interrogator credited with locating Saddam Hussein after the fall of his regime. After that, Pattinson will head to Australia with Guy Pearce to shoot The Rover, a thriller set in the post-apocalyptic future. It will be directed by David Michod (who wrote and directed 2010's critically acclaimed Aussie film Animal Kingdom).

Like his role in Cosmopolis, this movie doesn't quite fit into a box.

"It's really complicated to explain," Pattinson says, laughing. "I seem to like choosing movies lately that are difficult to promote."

Source | Via: RPLife

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USA Today- Hollywood's young royalty dukes it out in Cannes (Rob and Kristen mention)

Shia LaBeouf, Robert Pattinson, Zac Efron, Kristen Stewart.

The young guns are gunning for the Cannes Film Festival 2012 -- and they are demanding respect.

This year's festival slate features a veritable Who's Who in Young Hollywood. Each has flexed some serious box office muscle in their young careers, now they are hoping to show some acting chops. Each is in competition with their respective films.

Before he finishes off the Twilight series this year, Pattinson too is still looking for a meaty dramatic role which might come true in Cosmopolis. The film features some racy scenes in the back of Pattinson's banker character's limousine (where most of the movie takes place).
He has sex with Juliette Binoche and even has a prostate exam while trying to seduce another woman -- this is a David Cronenberg film after all.

But not the Rob Pattinson we all know.

"I don't like people thinking that they know me," says Pattinson. "You do all you can to surprise people. And hopefully some people will find that interesting."

His Twilight co-star, and longtime girlfriend, Kristen Stewart will also show a new side in the Walter Salles' film On the Road. Pattinson has seen the movie and calls it "amazing."

After Cannes 2012, we're going to see many of these stars in a different light.


More from FOXNews|source

But at the 65th annual Cannes Film Festival, a number of young Hollywood stars are attempting to do just that. By striking out on their own, they hope to move their careers beyond mega franchises and toward more mature roles in bolder films.
Robert Pattinson ("Twilight"), Kristen Stewart (also "Twilight"), Shia LaBeouf ("Transformers," ''Indiana Jones and the Kingdom of the Crystal Skull") and Zac Efron ("High School Musical") all have films in competition at the French Riviera festival.
In David Cronenberg's Don DeLillo adaptation "Cosmopolis," which is to premiere at Cannes on Friday, Pattinson stars as a Manhattan billionaire on a crosstown odyssey.

"It's changed the way I see myself," Pattinson said in an interview ahead of his festival arrival.

"I'm kind of getting older," the 26-year-old actor says. "People aren't thinking of me as a kid anymore, so I've got to stop behaving like one."

With the next "Twilight" installment, part two of "Breaking Dawn," due out this November, Pattinson has also lined up parts in David Michod's "The Rover" (a role he says he fought harder for than any in years) and the military thriller "Mission: Black List." Like "Cosmopolis," they're films without the surrounding hoopla of blockbusters.

"When you do a big franchise movie, there's a ton of pressure on you that's really nothing to do with the job at all," says Pattinson. "You have to adapt to an entirely different world, rather than just try to get better at acting and do better within your movies. As soon as you become famous, your movies and your life become one and the same in the eyes of the public in a lot of ways."

Certainly, most actors would eagerly jump at the chance to star in well-paying, hugely promoted movies. But iconic roles begun as teenagers can choke promising acting careers. Stewart, Pattinson's 22-year-old "Twilight" co-star, is also expanding into new territory at Cannes with Walter Salles' anticipated adaptation of Jack Kerouac's "On the Road." It was to premiere Wednesday.

Source |Via

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Rob Talks About Cosmopolis, Cannes and OTR + Kristen Talks About Cannes and OTR and Mentions Cosmopolis

Robert Pattinson, 26, stars as a Wall Street banker in David Cronenberg's Cosmopolis, shot primarily in the back of his character's giant white limousine — where Pattinson's banker has a tryst with 48-year-old French actress Juliette Binoche. Pattinson then does Efron one better.

"There's a scene where I'm seducing (another woman) naked, while having a prostate exam in the back of a limousine. People don't really see that very often in movies," Pattinson says with a laugh. "You do what you can to surprise people."

...

The red carpet lineup also will feature Twilight's golden couple, Pattinson and Kristen Stewart. This time they are going head-to-head, with Stewart starring in the competition film On the Road.

"I'm already making excuses," Pattinson jokes about their friendly festival competition.

But for these two weeks, it's not all about winning the contest, but enjoying the glitz in the South of France.
"There is really something glamorous about Cannes," Pattinson says. "It's the bow ties and the way the festival holds onto the glamour. People really make an effort."



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USA Today BD Premiere Report

Where: Nokia Theatre at L.A. Live in Los Angeles

When: Monday night

Guest list: A cavalcade of cast members including Kristen Stewart, Robert Pattinson, Taylor Lautner, Nikki Reed, Peter Facinelli, Elizabeth Reaser and Kellan Lutz. Plus guests Heather Locklear, Jennifer Love Hewitt, Ashley Tisdale and Rob Lowe.

"An experience to treasure": The fourth installment of the blockbuster film franchise, in theaters Friday, chronicles the lavish forest wedding, island honeymoon and impending parenthood of mortal teenager Bella Swan (Stewart) and her brooding vampire crush, Edward Cullen, played by Stewart's real-life squeeze, Pattinson. While shooting the nuptials, Pattinson said he was made painfully aware "just how irrelevant the groom is in a wedding. You just kind of stand there." But for Stewart, the shoot could not have been more touching. "It was just what I was hoping for," said a J-Mendel clad Stewart. "I wanted to remember it as an experience to treasure without any neurotic actory weirdness."

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Larger Pic of Rob in USA Today

OOh Rob why do you do that with your mouth! It makes me lose my train of thought!! So very hawt!! 

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USA Today~ Robert Pattinson dishes: 'Breaking Dawn' scenes ~ Kristen's preggo suit, "The Wedding," and More...



Lions and tigers and bears! (Cue the 'Oh my!') Those are real animals, not CGI, in Robert Pattinson's new circus flick Water for Elephants, co-starring Reese Witherspoon (it's out April 22). But with all those carnivores prowling around the 1930s-themed set, you'll never believe which animal Pattinson feared most.

The horses.

Scarier than having to throw meat into a lion's cage? "I had to get knocked down by a horse. That was terrifying," Patz tells USA TODAY's Andrea Mandell. "It was just one split second but (it was) a fully grown stallion...I'm kind of relatively scared of horses as well. I'm just glad I didn't have to ride any of them. I'm not particularly good at horse riding."

On a short break from shooting Breaking Dawn in Vancouver, he also offered up some Edward Cullen-style gossip. The main story line is "so far outside of the box," he says."It's really different from the other ones. There are some days on set just watching you go 'How is this going to be PG-13?'" he said with a laugh. "It's like totally ridiculous."

Haven't read Twilight's fourth novel? Read no further.

Pattinson confirms he and Stewart have filmed the birth scene, and with a laugh, says the shooting was "kind of hilarious."

He explains: "She has to have this pregnant suit on all the time, that was probably more annoying for her," he said. That's not the only change you'll see in Bella.

"I can't give too much away but there's some bits, especially towards the end of the movie, she's just like the polar opposite of any of the other (films)," he says. "I mean, she's a different person, which is cool. She looks completely different. She looks probably the most convincing vampire out of all of us."

Meaning what, exactly? "A lot of us look like we're just from Mars," said Pattinson. "She's kind of the smallest one, but she suits being a vampire."

Next up: Breaking Dawn's wedding shoot, scheduled for April. "That's a hard scene too," he told us. Not to mention the flood of paparazzi who will try to get a shot of Bella and Edward headed down the aisle. "It's been OK in Vancouver in terms of people showing up and trying to get stuff," says Rob. "I have a feeling the wedding is going to be the one with (paparazzi) parasailing in." Talk about a money shot.


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Robert Pattinson is highest earning British star of 2010- Kristen highest-ranking female


USAtoday Who got the biggest paycheck in Hollywood last year?

Vanity Fair has figured it all out for us.

The magazine has taken on the task of estimating the 2010 earnings of Hollywood's 40 most powerful players (not including television or endorsement deals and limited to just stars, directors and producers).

Kristen Stewart was the highest-ranking female on the list, coming in at No. 13 with $28.5 million. (Yes, she beat out Angelina, Sandra, Reese ... )

Not far behind her are her Twilight co-horts, Robert Pattinson, who came in at No. 15 with $27.5 million, and Taylor Lautner, who outranked them both at No. 9 with $33.5 million. Readmore via robstenation


The TelegraphThe phenomenal success of the "Twilight" films in which he plays a lovestruck vampire has helped him be named as highest earning British star of 2010.

Pattinson earned £18.3m last year to put him at 15th place on the annual Vanity Fair top performers list.
He beat more established stars such as Tom Cruise, Angelina Jolie, Jennifer Aniston and Nicholas Cage to make the list for the first time.

According to a breakdown of his earnings by the magazine for its Oscar's edition the bulk of the 24 year old's money came from the latest Twilight film "Breaking Dawn" which
has been filmed in two parts.

The actor, who began his film career in "Harry Potter and the Goblet of Fire" six years ago, was paid £8.3m for each of the films.

He also picked up a £1m payday for his next film "Water for Elephants" where he stars alongside Reese Witherspoon and £600,000 for starring in an forthcoming costume drama "Bel Ami".
Pattinson, who has millions of female fans from playing Edward Cullen in the Twilight saga, replaces another young British actor on the annual list compiled by Vanity Fair.

Last year Harry Potter star Daniel Radcliffe was named as the sixth highest earner with £27m thanks to the final two films in the hugely successful franchise.

Pattinson's co-stars in Twilight all feature in the top performers list with Kristen Stewart, 20, earning £19m and Taylor Lautner ninth on the list with £22.5.

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USA Today: Celebrity Heat Index Rob #7 Kristen #10

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#7 . Robert Pattinson 2,064 He has spent 2010 working hard on film projects and dodging interest in his relationship with Twilight co-star Kristen Stewart.

#10. Kristen Stewart 1,761 The actress has supposedly become engaged, wed and been impregnated by herTwilight co-star and rumored boyfriend Robert Pattinson.

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USA Today: 'Welcome to the Rileys' is poignant but uneven

After all those years playing Tony Soprano, James Gandolfini knows his way around a stripper pole.

In Welcome to the Rileys, Gandolfini plays Doug Riley, a plumbing contractor who slips out of a New Orleans convention and pops into a seedy strip club. But this is no Bada Bing, and Doug is not there for a joy ride.

Like Tony, Doug is an emotionally shattered guy who has kept secrets from his wife (Melissa Leo). He also is a take-charge fixer, but not the kind who breaks kneecaps or orders hits.

In a way that happens only in the movies, Doug takes Mallory (Kristen Stewart), a 16-year-old stripper/hooker, under his wing. He sees in her a vague resemblance to the teenage daughter he lost in a tragic accident.

Doug repairs her filthy apartment, paying her for the privilege, and instructs Mallory to clean up her act, including fining her for every F-bomb she drops.

But Doug is no smug Henry Higgins, transforming a tough-talking urchin into a princess. He's a man trying desperately to outrun grief. Resisting her carnal overtures, Doug helps Mallory out of the goodness of his broken heart.

Welcome to the Rileys is an uneven venture. Exploring themes of trust and grief, it is powered by the strength of Gandolfini's and Leo's earnest performances and the moody atmosphere created by director Jake Scott. Leo and Gandolfini bring their characters to life poignantly. Despite their 30-year marriage, he cries alone in his garage and she marvels, unaccompanied, at the starry night sky she hasn't seen in years. But as a convincing tale, Rileys trips up. Gandolfini subtly conveys Doug's shaky emotional moorings. His only false note is an accent that inexplicably toggles between Midwestern and Southern.

Doug's wife, Lois, mourns in a more constricted way. An agoraphobic, she won't — or can't — even venture into her front yard to pick up the mail.

But the script undermines their honest portrayals. Lois fears venturing outside her front door, but somehow she musters the courage to drive from Indianapolis to New Orleans. Her initial scenes stepping out are played for comedy, which strikes a jarring and rather insulting note in this otherwise somber film.

Screenwriter Ken Hixon wisely does not transform Mallory's seamy world into sweetness and light when Doug and Lois come on the scene. But Stewart's one-note range is a stumbling block. She's almost always in foul-mouthed and ungrateful mode, so it's a stretch to imagine that this ordinary couple would be inspired to play surrogate parents.

Stewart's idea of inhabiting this part seems to be to scowl a lot and let her hair go unwashed. The Twilight star doesn't have the depth or emotional agility to go toe-to-toe with Gandolfini and Leo. She emerges as a wretched caricature.

Stories of loss and redemption are tough to pull off without resorting to contrivance or schmaltz. Welcome to the Rileys does manage to avoid sentimentality. But only two-thirds of this unlikely trio comes close to capturing the complexity of anguish and pain.


Welcome to the Rileys
* * 1/2 out of four

Stars: James Gandolfini, Melissa Leo, Kristen Stewart
Director: Jake Scott
Distributor: Samuel Goldwyn Films
Rating: R for strong sexual content, brief drug use and pervasive language involving a teenager
Running time: 1 hour, 50 minutes
Opens Friday in select theaters

Source via Kstewartfans

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