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Closing Credits


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Domestic Total as of Aug. 26, 2012: $447,000 13.6%
Foreign: $2,837,056 86.4%
Worldwide: $3,284,056

Domestic Summary:

Opening Weekend: $70,339
(#45 rank, 3 theaters, $23,446 average)
% of Total Gross: 15.7%

Foreign Totals

Australia $212,734 - As Of 8/19/12
Austria $119,413 - As Of 8/12/12
Belgium $154,589 - As Of 7/8/12
Croatia $6,787 - As Of 7/1/12
Czech Republic - As Of $14,059 8/19/12
France - As Of $2,270,504 6/10/12
Germany - As Of $411,170 7/29/12
Italy - As Of $1,001,528 7/8/12
Netherlands - As Of $73,769 6/17/12
Poland - As Of $189,006 7/8/12
Portugal - As Of $184,448 7/22/12
Thailand - As Of $52,554 7/22/12
Turkey - As Of $33,711 8/12/12
United Kingdom - As Of $524,363 7/22/12

According to ERC Box Office, in it’s 2nd weekend, “Cosmopolis” grossed $153k from 63 sites (an average of $2,435 per theatre) with a new US total of $447k.

The list of theaters where Cosmopolis is showing in US and link to buy tickets HERE

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Q: What was it like coming into such an established set? What was it like to feel like the new kid?

Angela: I think that I had that experience initially, but what’s interesting is that there was so many of us that we became the people that everyone else was gonna try to fit into. There were so many vampires and so many actors there. Initially it was… I am trying to think of the correct word because the very first scene that we shot was at the Casbah, and I remember just going on that set and seeing Elisabeth Reaser and their faces that I’d seen posters of and these faces that I’d seen in the films. I couldn’t digest it. I couldn’t look at it and go oh whatever, who cares, they are just actors, it was surreal. The whole thing was completely surreal. I remember I came on set the day before we were shooting, or two days before, and I saw Kristen sitting there, and I was like that’s the girl. There’s the face that I’ve been seeing and hearing everywhere. There’s that little head. It was interesting to finally see them in the flesh. It was not as intimidating as you think. Just a very crazy thing to see these things for real.

"True love is rare, so when you find it don't let it go just because of a barrier you can't cross." -Ray H. Wall

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We love you so Rob ;)

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Nobody's Picture Perfect...and we still love her.

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It looks like an interview sent to various media outlets since it was posted today in Diario de Mexico.

It has been a summer of discontent for Robert Pattinson. Since his longtime girlfriend and “Twilight” co-star Kristen Stewart was photographed in intimate poses with another man a few weeks ago, the heat on his life has been daunting.

How does he deal with it?”

“It drives you nuts,” he says of all the hoopla. “It’s just nuts.

“I don’t know how I cope with it. I really don’t know,” he says in a good-natured voice.

“At times, I find the whole thing pretty funny. It is pretty funny. My life is kind of ridiculous to me. It’s so absurd at time.”

Last week he fended off countless questions about the scandal while making the media rounds to promote “Cosmopolis,” his new film with director David Cronenberg (“A History of Violence,” “Eastern Promises”).

Through it all, he felt the love of his fans. The Twi-hards definitely have been Team Robert.

“I don’t credit that to myself,” Pattinson says. “It’s just that there is something elemental about the ‘Twilight’ books and the movies. The core story has connected to people.

“The fan love from that is kind of amazing. I guess it’s so much better than everyone hating you.”

Opening Credits
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Closing credits
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“Love is not an equation, it is not a contract, and it is not a happy ending. Love is the slate under the chalk, the ground that buildings rise, and the oxygen in the air. It is the place you come back to, no matter where your headed” ― Jodi Picoult

A flashback...remember and hold on to faith.

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From Oregon Live: (click to read the full interview)

Given the heavy New York atmosphere of the film, it’s something of a surprise that Cronenberg should have chosen the British actor Robert Pattinson for the lead role. Pattison is best known, of course, for the relatively featherweight demands of the “Twilight” films, which reveal little of the heavy, internal and intellectual stuff that “Cosmopolis” demands. After declaring that “casting is a black art: there’s no rule book to guide you,” Cronenberg explains that he watched some of Pattinson’s non-“Twilight” work, especially “Little Ashes,” in which he played the young Salvador Dalí, and felt he’d found his man. Still, he admits, there is, in all such matters, a leap of faith.

“It’s just intuiting that he can do the role,” he says. “Because you’re asking him here to do things he hasn’t done before. But I was convinced by the time that I had done all my work that he was the right guy. I knew he was good, and he surprised me by how good he was.”

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