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"I love you, not only for what you are, but for what I am when I am with you."-Roy Croft

And if the road gets rough from here, And all else disappears. Don't give up on me, don't give up on me...

Video from FragileCloud

UPDATE: Stills now in HQ- Click on image

HQ's thanks to Pattinsonlife | RPLife

UPDATE: Scan now in better quality

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See our main post here for full HD video of Rob on the show + tons of pics and videos of him signing for fans.

"Just follow your heart…you’ll usually wind up where you want to be." -Kristen Stewart

She said this video was born out of their quiet love and strong connection with each other, sounds about right to me. Thanks for sharing your talent and this beautiful video Mel!

Few more pics from inside the book added



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UPDATE: Added Interview Transcript thanks to @allmannerofsins - She talks about her passion for movies, her career and of course about 'On The Road'

Chapter One: The Question

Robert Pattinson. Twilight. Getting naked in indie movies. Fame. These are some of the things we won't be talking about with Kristen Stewart. "Oh, good." says the actress, slightly taken aback when we give her the good news. We're sat on the roof terrace of a hotel - heavily populated on the ground floor by security guards - and it's week two of Cannes Film Festival. Only 22-years-old, Stewart is being afforded the kind of elite protection from the media usually reserved for Hollywood's biggest megastars. But we don't really want to ask her about that either.

In fact, LW Lies only has one question: what does Kristen Stewart want to talk about? "Right," she says. Then she thinks. "I don't want to sell myself. People are so weird. They suddenly find themselves so interesting that they think they're worth selling. Typically speaking, the most interesting thing to me about myself is, right now, the fact that On the Road is coming out. And I want to talk about On the Road.

Chapter Two: On the Road

To talk about on the road is to discover that, although people ask Kristen Stewart a lot of questions, the answers all lead to one place. It's really simple: she's a 22-year-old kids who's crazy-stupid in love with her job. "Oh my god, I fucking love it so much," she beams. "I'm not Maryloul; I'm Sal. Right now, I feel so full. I'm like, bursting. I should be working. I don't want to take a break. It's funny, on set, I don't have to go to the bathroom, I don't have anything wrong, I'm perfectly fine, so through-and-through. I'm not hungry. I'm literally not even in my own body. They wrap and they send me back to my trailer and I fucking fall to pieces. I suddenly realise that I've had to pee for six hours. And I'm starving."

This kamikaze work ethic left her co-star Chris Hemsworth dumbfounded on the blockbuster Snow White and the Huntsman. Why, wondered the Aussie heartthrob, was she attacking a basic Hollywood fantasy like it was a Paul Thomas Anderson drama? "Awww..." she smiles, affectionately. "He's the same way. Well, he takes it very much at face value. Sometimes I need to make myself do that. I just really am trying, trying, all the time. I mean, Walter actually said to me several times during On the Road, 'Stop reaching, you're already there.' But I like to be scared. I love to suddenly feel out of control. Actors walk around wearing these little tool-belts of acting skills. And I just don't find that interesting to watch. I never want to see someone who clearly can cry at the drop of a hat. That's so uninteresting. And so many actresses are so fucking crazy. They're emotional wrecks, so they pretend to be these characters. But the emotions aren't coming from the right place. Do you know what I mean?" And you have to remind her: this is your interview: you tell us.

Chapter Three: Coming from the Right Place

"At first, the reason I started doing this was literally just because I wanted a job. My parents are crew - my mom's a script supervisor; my dad's an AD - and I always looked up to them, I really completely glorified the movies. And so at first, I just wanted the responsibility. I wanted adults to talk to me. I wanted to be involved. I was bored. Then I turned 13 and did this movie called Speak...I mean, to do a date-rape movie at 13, it really affected me. I suddenly felt like things could be really important and really help people. I did this public service announcement right after I did the movie and this enormous influx of people called in and said things that they had never told anyone before. And it hit me so fucking hard. I was like, 'Wow, something that I love, something that was so personal to me' - because at that point, I had never gotten any aknowledgement for anything I'd done, it really was just for me - 'suddenly touched people.' Movies, they can be important if you want them to be."

Chapter Four: Movies are important

So here it is. If you want them to be, even teen movies about hair-gelled vampires and werewolves in cut-off jeans can be important. They can help you make other movies, movies like On the Road, movies that might not get seen or even made without you.

In Hollywood, with great power comes...great parties. But here's the reason why you wont see Stewart following Lindsay Lohan into the starlet scrapyard. Through some crazy accident, indie actress got bitten by a radioactive franchise and gained special powers. They won't last forever. But while they do..."It's weird to be in this position of, like..." She sighs, checking herself. "Not to sound fucking crazy, but 'financial prowess'. I feel bad about it. I feel like you need to do something. I made Welcome to the Rileys [in which Stewart played a young woman with emotional issues] a few years back and now I want to open two halfway houses, one in New Orleans and one in LA, and I want to make a documentary about why it's important. But all this ridiculously empty charity work that you see? Like, you show up at an event and you wear a dress and you auction your dress off and you suddenly feel important. I want to do it right. Right now, I just feel it. It's not to be wasted. Because I know my value is fucking strong."

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UPDATE: Added HQ scan of the pic.

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Source | Via | HQ thanks to @Uchiland

“Love is forgiving, accepting, moving on, embracing, and all encompassing. And if you’re not doing that for yourself, you cannot do that with anyone else.” ― Steve Maraboli

Love doesn't just go away, so as long as there is love, there is hope. Thank you to the amazing Suzy for sharing this with us.

Video from robsten4everinlove

Written-off Robert Pattinson as just another fleeting tween sensation? Then listen up. Because Cosmopolis, David Cronenberg's smart adaptation of Don DeLillo's futurist novel, is about to announce the 26-year-old Brit's true arrival. LWLies met up with Pattinson recently to chat about the making of Cosmopolis and why he'll always be up for a challenge.

LWLies: We were in Cannes when Cosmopolis first screened. How was that whole experience for you?

Pattinson: It was kind of terrifying, but mainly because I've never been to a premiere with potentially a hostile audience. It's a film which could potentially be quite divisive because it's quite wordy and in Cannes there's the added complexity with the language barrier. I remember sitting there and looking around at all these blank faces. No one was laughing. I genuinely thought it was going to get booed. I was so grateful it wasn't savaged.

The whole Cannes booing thing is kind of a carnival, you can't take it too seriously.

I know, I know. But then David [Cronenberg] was telling me about when Crash screened and people were screaming in the audience. Like, actually going wild during the movie. And I was speaking to Gaspar Noé the other day and he was saying that with Irreversible everyone was yelling 'How would you like it?!' and all this nonsense. He was sitting next to the guy who plays the rapist [Jo Prestia] thinking, 'Fuck, I'm going to get killed after this'.

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