E: Kristen Stewart, Rupert Grint Get Dumped by a Pile of Garbage (Not to Mention Saw 3D)
By
Alma
In one corner: Kristen Stewart's Welcome to the Rileys. In the other: Rupert Grint's Wild Target.
Although they didn't rule among likely latte drinkers, both Stewart's and Grint's movies did OK, with bragging rights going to Team Weasley.
Theater for theater, the crime caper Wild Target ($24,316 at four theaters) outearned the drama Welcome to the Rileys ($45,000 at 10 theaters).
The performances were steps up for Stewart, last seen out of Bella's hoodies in the disappointing The Runaways, and Grint, who hadn't ventured out of Hogwarts since the 2006 indie, Driving Lessons.
Robsten Video of the Day: Robsten Feelings Everytime we touch Part 1&2
By
Alma
thanks to the lovely Libenet check out her other videos.
Her videos blow my mind. I love love love this two:) Enjoy!
Robert Pattinson and Kristen Stewart: Most Compatible Couple In Hollywood
By
Alma
Hollywood is a world where relationships do not last long. And if you are constantly beside your partner at every moment of the day, don't you think you will end up fighting more than loving each other? At least, that is what relationship experts in Hollywood seem to think.
However there is an exception to every rule and the exception has come in the form of 'Twilight' stars Robert Pattinson and Kristen Stewart.
The young Hollywood couple have been together ever since work on the latest Stephenie Meyer offering started. And according to figures from the industry, the couple have been shooting for 'Breaking Dawn' for the past seven months. And still, both actors don't seem to grow tired of each other. A source close to the couple says that Robert Pattinson and Kristen Stewart share common likes and dislikes, and are therefore, the most compatible couple in Hollywood. Both stars realize that they may not get this opportunity to work together in the future, and are therefore, making complete use of the opportunity which has landed on their laps.
And sources close to the couple are of the opinion that their relationship will stand the test of time; Robert Pattinson and Kristen Stewart will surely be together even after work on their last film together is over.
Source via RPattzbaby
USA Today: 'Welcome to the Rileys' is poignant but uneven
By
Alma
After all those years playing Tony Soprano, James Gandolfini knows his way around a stripper pole.
In Welcome to the Rileys, Gandolfini plays Doug Riley, a plumbing contractor who slips out of a New Orleans convention and pops into a seedy strip club. But this is no Bada Bing, and Doug is not there for a joy ride.
Like Tony, Doug is an emotionally shattered guy who has kept secrets from his wife (Melissa Leo). He also is a take-charge fixer, but not the kind who breaks kneecaps or orders hits.
In a way that happens only in the movies, Doug takes Mallory (Kristen Stewart), a 16-year-old stripper/hooker, under his wing. He sees in her a vague resemblance to the teenage daughter he lost in a tragic accident.
Doug repairs her filthy apartment, paying her for the privilege, and instructs Mallory to clean up her act, including fining her for every F-bomb she drops.
But Doug is no smug Henry Higgins, transforming a tough-talking urchin into a princess. He's a man trying desperately to outrun grief. Resisting her carnal overtures, Doug helps Mallory out of the goodness of his broken heart.
Welcome to the Rileys is an uneven venture. Exploring themes of trust and grief, it is powered by the strength of Gandolfini's and Leo's earnest performances and the moody atmosphere created by director Jake Scott. Leo and Gandolfini bring their characters to life poignantly. Despite their 30-year marriage, he cries alone in his garage and she marvels, unaccompanied, at the starry night sky she hasn't seen in years. But as a convincing tale, Rileys trips up. Gandolfini subtly conveys Doug's shaky emotional moorings. His only false note is an accent that inexplicably toggles between Midwestern and Southern.
Doug's wife, Lois, mourns in a more constricted way. An agoraphobic, she won't — or can't — even venture into her front yard to pick up the mail.
But the script undermines their honest portrayals. Lois fears venturing outside her front door, but somehow she musters the courage to drive from Indianapolis to New Orleans. Her initial scenes stepping out are played for comedy, which strikes a jarring and rather insulting note in this otherwise somber film.
Screenwriter Ken Hixon wisely does not transform Mallory's seamy world into sweetness and light when Doug and Lois come on the scene. But Stewart's one-note range is a stumbling block. She's almost always in foul-mouthed and ungrateful mode, so it's a stretch to imagine that this ordinary couple would be inspired to play surrogate parents.
Stewart's idea of inhabiting this part seems to be to scowl a lot and let her hair go unwashed. The Twilight star doesn't have the depth or emotional agility to go toe-to-toe with Gandolfini and Leo. She emerges as a wretched caricature.
Stories of loss and redemption are tough to pull off without resorting to contrivance or schmaltz. Welcome to the Rileys does manage to avoid sentimentality. But only two-thirds of this unlikely trio comes close to capturing the complexity of anguish and pain.
Welcome to the Rileys
* * 1/2 out of four
Stars: James Gandolfini, Melissa Leo, Kristen Stewart
Director: Jake Scott
Distributor: Samuel Goldwyn Films
Rating: R for strong sexual content, brief drug use and pervasive language involving a teenager
Running time: 1 hour, 50 minutes
Opens Friday in select theaters
Source via Kstewartfans
In Welcome to the Rileys, Gandolfini plays Doug Riley, a plumbing contractor who slips out of a New Orleans convention and pops into a seedy strip club. But this is no Bada Bing, and Doug is not there for a joy ride.
Like Tony, Doug is an emotionally shattered guy who has kept secrets from his wife (Melissa Leo). He also is a take-charge fixer, but not the kind who breaks kneecaps or orders hits.
In a way that happens only in the movies, Doug takes Mallory (Kristen Stewart), a 16-year-old stripper/hooker, under his wing. He sees in her a vague resemblance to the teenage daughter he lost in a tragic accident.
Doug repairs her filthy apartment, paying her for the privilege, and instructs Mallory to clean up her act, including fining her for every F-bomb she drops.
But Doug is no smug Henry Higgins, transforming a tough-talking urchin into a princess. He's a man trying desperately to outrun grief. Resisting her carnal overtures, Doug helps Mallory out of the goodness of his broken heart.
Welcome to the Rileys is an uneven venture. Exploring themes of trust and grief, it is powered by the strength of Gandolfini's and Leo's earnest performances and the moody atmosphere created by director Jake Scott. Leo and Gandolfini bring their characters to life poignantly. Despite their 30-year marriage, he cries alone in his garage and she marvels, unaccompanied, at the starry night sky she hasn't seen in years. But as a convincing tale, Rileys trips up. Gandolfini subtly conveys Doug's shaky emotional moorings. His only false note is an accent that inexplicably toggles between Midwestern and Southern.
Doug's wife, Lois, mourns in a more constricted way. An agoraphobic, she won't — or can't — even venture into her front yard to pick up the mail.
But the script undermines their honest portrayals. Lois fears venturing outside her front door, but somehow she musters the courage to drive from Indianapolis to New Orleans. Her initial scenes stepping out are played for comedy, which strikes a jarring and rather insulting note in this otherwise somber film.
Screenwriter Ken Hixon wisely does not transform Mallory's seamy world into sweetness and light when Doug and Lois come on the scene. But Stewart's one-note range is a stumbling block. She's almost always in foul-mouthed and ungrateful mode, so it's a stretch to imagine that this ordinary couple would be inspired to play surrogate parents.
Stewart's idea of inhabiting this part seems to be to scowl a lot and let her hair go unwashed. The Twilight star doesn't have the depth or emotional agility to go toe-to-toe with Gandolfini and Leo. She emerges as a wretched caricature.
Stories of loss and redemption are tough to pull off without resorting to contrivance or schmaltz. Welcome to the Rileys does manage to avoid sentimentality. But only two-thirds of this unlikely trio comes close to capturing the complexity of anguish and pain.
Welcome to the Rileys
* * 1/2 out of four
Stars: James Gandolfini, Melissa Leo, Kristen Stewart
Director: Jake Scott
Distributor: Samuel Goldwyn Films
Rating: R for strong sexual content, brief drug use and pervasive language involving a teenager
Running time: 1 hour, 50 minutes
Opens Friday in select theaters
Source via Kstewartfans
Joan Jett says screaming girls don't come running up to her like they do to Kristen
By
Alma
Jett, who was played by Twilight star Kristen Stewart, says she's impressed that the film has inspired another generation of young women to pick up guitars. "It's really cute - but no, they don't come running up and screaming at you like they do to Kristen. Maybe they're afraid to or something"
Jett, who will hold court at local rock institution the Annandale Hotel on January 7, says she's keen to kick off a new chapter with her Australian visit.
via Pattinsonstew
Updated! Breaking Dawn in Rio: "Will be five days of intense work"
By
Alma
google translation:
We did our part. Make feasible the filming of Dawn in Rio P / bring investment, promote the city and give more realism to the film.
We can not turn a negative into something positive. Having the filming of Dawn here is better than q not, right? So let's celebrate!
About Dawn ... Safety standards have nothing to do with the fans. And it is normal w / a movie this size. Will be five days of intense work.
Kristen, Rob AND TAYLOR Will Be in Rio Next Friday???
Robert Pattinson, Kristen Stewart And Taylor Lautner land in Brazil next Friday, November 5, to begin testing the scenes of Breaking Dawn, says Brazil's largest newspaper Globo. The newspaper said the trio would return later this month to begin filming scenes. The neighborhood of Lapa will be used as the backdrop. According to information from lulacerda journalist (posted here), filming would take place in Rio in six days, and in Paraty on 7 and 8 November.
Source
Via: pattinsonladies
I thought they were going to Rio for the Honeymoon scenes?
You don't bring a kid along for that.
Flawless Kristen Picture of the Day
By
Alma
And there are people who question why Rob loves her?
Does this Picture answer your question?
She is beautiful in every way! Enough said!!









