Music is a huge factor in the movie, and it was scored by the amazing Jenny Lewis. Did you by any chance catch her new music video with Kristen Stewart and Anne Hathaway?
"I did! Well, Kristen is one of my closest friends so I knew about it when she was filming it. It was really fun to work with Jenny. She’s very close with Naomi and I was so excited to meet her! I think the music [in the movie] is so amazing."
Since starring as Jane in Twilight, Dakota has formed a bond with her co-star Kristen Stewart who played Bella Swan in the vampire films. The fashionable style icon gushed about her 22-year-old friend's dress sense, which is what made them closer pals.From The Wallstreet Journal:
"[Kristen Stewart] is so instinctive with her style and, like me, she wears clothes to reflect her mood," Dakota gushed.
You have great chemistry with Lizzie playing best friends. Did you know each other already?Via | Via | Via
We did, yeah. We knew each other before and that was great. I can’t imagine doing this movie with anyone else. The only other movie I’ve done with a woman of the same age is with Kristen [Stewart], who is my best friend in real life. So I felt very similar with Lizzie and I think that really comes through and we are good friends.
She's one of my best friends & I'd love to work with her RT @roaford would you like to work with Kristen again? #AskDakota
— Glamour Magazine UK (@GlamourMagUK) September 14, 2012
What about working on Twilight?
It was amazing to be part of something so huge, that's loved by so many fans. Plus Kristen Stewart has become one of my closest friends. When we're together, we have a great time. We don't have to be out on the town - we enjoy girls' nights in!
A veneer of smeared mascara on a heart of purest bubblegum — that’s the way the pioneering all-femme band The Runaways sounded on arrival in the 1970s. That’s also a fair description of writer-director Floria Sigismondi’s biopic The Runaways, a swift surface-deep tribute to rock ‘n’ roll as the agent of self-invention.
Kristen Stewart is the surly tomboy who would become Joan Jett, the Susan B. Anthony of women guitar heroes; Dakota Fanning, blonde and bruised-looking, plays lead singer Cherie Currie, a blank screen waiting for a projected image. They’re both really good — especially Fanning, who has the more elusive and passive part — and if you never forget you’re watching people playing the parts of Joan Jett and Cherie Currie, that speaks more to the power of the roles than the effectiveness of the actors.
What Tolstoy said about happy families being all alike is true of bands on the make: the scenes of the group’s formation, crappy early gigs, rise to the big time and disintegration under pressure could be interchanged with almost any moderately successful act of the era. What sets this apart are the details of the female band members fighting rock’s entrenched sexism at every level, from bottle-hurling dudes to resentful cock-rockers — even as their leering Svengali, producer Kim Fowley (a hilarious Michael Shannon, in madly spieling Lizard King mode), writes checks on their sex appeal.
Jett was an executive producer, and Currie supplied the source book; even if that explains why the other members are mostly glorified extras, it still leaves one hungering for future headbanger Lita Ford’s side of the story — particularly since she’s portrayed here as a jealous shrew when she registers at all. But if The Runaways has any lingering message, it’s that the secret appeal of rock ‘n’ roll isn’t just getting to tell your own story your own way, it’s getting to make it up too.
Source/Source via TwiBritneyFan
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